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What’s New

The Latest Product Updates from India

Compiled by Soma Paul, Product Manager, Destination Knowledge Centre

STAYS TO WATCH OUT FOR

New Hotels
We Are Excited About

Eagle Nest Cottage, Mussoorie, Uttarakhand

Eagle’s Nest Cottage in Mussoorie is a cosy retreat with a fascinating history.Built in 1880, the cottage was originally owned by a British gentleman and later became a part of Mussoorie’s royal heritage.You can choose from three charming options: a spacious 5-bedroom main cottage, a cosy 3-bedroom cottage, or an intimate 1-bedroom cottage, all thoughtfully designed with modern comforts such as thermal radiators and heated towel racks. Whether you’re discovering nearby gems like George Everest’s House or simply unwinding in the tranquility of nature, there’s something for everyone to enjoy. Just 1.5 hours from Dehradun airport or a 6-hour drive from Delhi, it’s the perfect spot for a peaceful getaway in the hills after your Golden Triangle journey.

Write to your relationship manager for more details.

EXPERIENCES TO WATCH OUT FOR

New Experiences
  1. The Hidden Gems of Delhi, Delhi
  2. Exploring Recycled Treasures, Delhi
  3. Hashtag Jaipur, Jaipur
  4. Mindfulness in Jaipur
We Are Excited About

Exploring Recycled Treasures, Delhi

This experience is all about discovering how everyday discarded items can be turned into something valuable and creative. It’s a great way to appreciate the skill and ingenuity behind repurposing, with a focus on sustainability and environmental awareness. It highlights the importance of reducing waste and finding new uses for what we might otherwise throw away.

Hashtag Jaipur, Jaipur, Rajasthan

Jaipur is famous for its stunning architecture, lively markets, and colourful culture that’s hard to miss.This experience is perfect for anyone wanting to dive into the heart of the city, capturing its beauty and energy. If you love cultural immersion and enjoy snapping photos to share with others, this is definitely for you!

Write to your relationship manager for more details.

ITINERARY OF THE MONTH

Ladakh: A Himalayan Celebration

Delhi – Leh – Nubra – Pangong – Stok – Leh – Delhi

Highlights of the Tour
  1. Experience the lively festivals of Ladakh in all their colourful glory
  2. Meet the Bactrian camel herders in the picturesque Nubra Valley
  3. Travel through the world’s highest driveable mountain pass
  4. Explore quaint villages hidden in the remote corners of the Himalayas
  5. Take in the breathtaking beauty of the endless Pangong Lake
  6. Marvel at the unique architecture of Ladakh’s iconic monasteries, such as Hemis and Thiksey

Write to your relationship manager for the detailed itinerary.

NEW UPDATE

Tamil Nadu Police Museum in Chennai

The Tamil Nadu Police Museum in Chennai is a is a must-visit for those interested in the history of law enforcement in the state. Housed in a 150-year-old bungalow, the museum showcases a fascinating collection of artifacts, from colonial-era relics to more modern pieces. Discover vintage vehicles, historic weaponry, counterfeit tools, and even ancient idols. It’s a unique stop to add to the Chennai sightseeing!

Write to your relationship manager for more details.

NEW FLIGHT

  1. Delhi – Male – Delhi daily nonstop by Air India
  2. Mumbai – Male – Mumbai daily nonstop by Air India (**Perfect for a Beach Extension after your India holiday )
  3. Delhi – Bhuj – Delhi daily nonstop by Air India (**Perfect for combining a textile tour of Rajasthan with Gujarat)
  4. Delhi – Bikaner – Delhi daily non-stop by Indigo Airlines (**Perfect for adding a unique desert experience to your India holiday)

Stories from India

A Timeless Tune: The Beatles Ashram of Rishikesh and Dear Prudence

From the Travel Diary of Kuntil Baruwa, Explorer, Destination Knowledge Centre

Watching the hauntingly beautiful meditation pods of the Beatles Ashram in Rishikesh, I couldn’t help but hum the song “Dear Prudence.” It was just me and the lingering stillness of history in that moment, the air filled with stories that seemed to float between the stone walls. It felt as if the world had slowed down to whisper: “Won’t you come out to play?”

The pods, with their dome-like shapes and earthy textures, seemed to radiate the energy of another time—a time when John, Paul, George, and Ringo meditated here. These were the very spaces where creativity and reflection gave life to the “White Album” of the Beatles, where moments of quiet contemplation were interrupted by bursts of musical genius.

As I sat there, the ashram felt like it was speaking directly to me. The line, “The sun is up, the sky is blue, it’s beautiful, and so are you,” resonated in the stillness. The song wasn’t just a call to Prudence; it felt like an invitation to everyone who’s ever needed to step out of their own shadows and embrace the beauty of the world. In the quiet of Rishikesh, I realised how timeless that message was.

This visit wasn’t just a journey into the world of The Beatles—it was a reminder of how art, even decades later, can connect deeply with the soul. The ashram may now stand in ruins, but its spirit thrives, inviting all who wander through to find their own rhythm. In that solitude, with “Dear Prudence” playing in my head, I felt an undeniable connection to the past, the present, and the meditative serenity of this magical place.

“Dear Prudence,
Won’t you come out to play,
Dear Prudence,
Greet the brand new day.
The sun is up, the sky is blue, it’s beautiful and so are you,
Dear Prudence,
Won’t you come out to play?”

A TIMELESS TUNE: In early 1968, The Beatles traveled to India to study Transcendental Meditation with Maharishi Mahesh Yogi in Rishikesh. Among the group of attendees was Prudence Farrow, who was intensely committed to her practice. In fact, Prudence became so focused and reclusive that she meditated for hours on end. This worried others in the group, including John Lennon, who saw her behaviour as excessive.

John and the others would try to coax her out, urging her to join the group and enjoy the beauty of their surroundings. John, in particular, was moved to write “Dear Prudence” as a gentle plea for her to come out and engage with the world.

Musically, “Dear Prudence” is notable for its hypnotic fingerpicking guitar style, which Donovan Philips Leitch taught to the Beatles in Rishikesh. The track was recorded at Trident Studios in London, with Paul McCartney playing the bass and drums (as Ringo Starr was briefly absent from the band during this period).

Track ID: “Dear Prudence” by Alanis Morissette, Live @ Come Together: A Night for John Lennon’s Words and Music (October 2nd 2001).

Sustainability and Us

Travel Corporation India Ltd (operating brands Sita, TCI and Distant Frontiers) has received the Travelife Certified Award. The award is a recognition for the long-term efforts and frontrunner position of Travel Corporation India Ltd regarding sustainability and Corporate Social Responsibility.

The company complies with more than 200 criteria, related to an operators’ office management, product range, international business partners and customer information. The Travelife standard is covering the ISO 26000 Corporate Social Responsibility themes, including environment, biodiversity, human rights and labour relations; and is formally Recognised as in full compliance with the UN supported Global Sustainable Tourism Criteria.

Travelife is the leading international sustainability certification for the travel sector. More than 35 national travel associations are promoting the scheme to their members including 20 European Travel associations. Since 2012, more than 1500 tour operators have been trained in CSR and more than 500 tour operators have been awarded.

Mr. Naut Kusters, manager of Travelife for tour operators, “I am delighted to see that sustainability in the tour operators’ sector is obtaining momentum. The award of Travel Corporation India Ltd will inspire other companies in India to follow the same path”.

“Our signing up to the globally recognized Travelife system and now receiving the Travelife Certified Award, marks a further milestone in implementing our sustainability strategy. We continue to maintain an open dialogue with all our stakeholders and involve them to ensure the sustainability of our business. We see this collaboration as crucial to our continued success. The Travelife Certified Award will further strengthen our commitment to ensuring a better travel product and will inspire other companies in India to follow the same path,” said Dipak Deva, MD & CEO, Travel Corporation India Ltd.

Explore

Ladakh

By Dagmar Marrocco, Senior Regional Product Manager, Kuoni UK

Our adventure began right from the start with the Delhi to Leh flight. Flying over the Himalayas with some of the most spectacular mountains we’d ever seen, everyone had their phones pressed up against the windows. Arriving at Leh Airport was unexpectedly chaotic, as it serves not only travellers but is also an important Indian military base. However, once we navigated through the initial hustle, we found peace in the Indus Valley, with its Tibetan Buddhist influences, soaring snowcapped peaks, fast-flowing rivers, arid desert-like slopes, ancient forts, and magnificent monasteries perched atop hillsides.

General Travel Information

Leh, the largest city in Ladakh, is located on the Indus River. For centuries, it was an important stop on the famous Silk Trade Routes between Kashmir, Tibet, India, and China. Today, for travellers, it acts as a central hub from which you can venture over the mountains and along valleys to various destinations.

Using a private guide and driver gave us flexibility from the start, especially when we experienced the effects of high altitude. This made it easy to amend our plans and not miss out on anything. It’s strongly advisable to spend the first two days in Leh with minimal activity to acclimatise. At 3,524m, many travellers, including us, experience exhaustion or mild altitude sickness, which subsides completely after 48 hours. Thinley Lundup, our guide, and Tanzen Stanzin, our driver, were both outstanding. They were welcoming and insightful – we laughed a lot and loved spending time with them!

High season runs from June to September, with warmer weather, while July and August are the busiest months. We travelled in the last two weeks of September, which was quieter and sunny but cool. A fleece or light jacket was sufficient during the day, while nights were cooler but didn’t require heavy winter gear. The sun was strong, so don’t forget your hat, sunscreen, and sunglasses.

We stayed in a mix of owner-run guesthouses and smaller hotels. Our hosts were incredibly hospitable and happy to share their culture and knowledge with us. However, standards are not to the same level as elsewhere in India.

The local cuisine is simple and delicious. Expect hearty meals of rice, vegetables, chicken, and mutton, featuring Indian, Ladakhi, and Kashmiri spices and flavours. Apricots are extensively grown, so you’ll find apricot jam, stewed apricots, and dried apricots everywhere. Don’t miss the momos, thukpa, and butter tea – they’re all must-tries!

Must-Visit Experiences

Deciding which monastery to visit can be challenging, as each has unique attributes. Thiksey Monastery, known for its early morning prayers with the resident monks, was a perfect start to the day. Sharing in the prayer rituals and butter tea felt spiritual – arguably, this was my favourite experience.

Hemis Monastery, tucked away in a gorge, is the largest in the region and features a museum with Buddhist artefacts and relics. It’s highly recommended – try to visit in the afternoon when it’s quieter. Other notable mentions include Alchi Monastery, with its captivating murals; Lamayuru Monastery, the oldest in Ladakh, dating back to the 11th century; and the serene Charasa Palace in the Nubra Valley, where we were the only visitors!

In Leh, the main thoroughfare, Leh Bazaar Road, is a wide pedestrian shopping street with general and trekking stores and a Tibetan market. The Leh Palace towers in the background, and the more recently built Shanti Stupa Peace Pagoda offers stunning views of the town below, making it a sunset hotspot. Our visit coincided with a colourful Buddhist festival, and we marvelled at the masked dances and festivities. Magnetic Hill is a well-known tourist spot where vehicles seemingly defy gravity and roll uphill.

The Khardung La Pass, at 5,360m, connecting Leh to the Nubra Valley, was more than a highlight. It’s a heart-pounding journey through some of the world’s most challenging terrain. The pass cuts through the enormous Ladakh mountain range, with peaks averaging 6,000m. It’s a favourite among motorcyclists and cyclists, offering dramatic views everywhere you look. Everyone requires a permit to travel, and passports are frequently checked.

The road was in decent condition but can close suddenly due to landslides. The Border Roads Organisation (BRO) has workers stationed every few miles to ensure it’s navigable again as quickly as possible. The pass is strategically important to India for supplying the Siachen Glacier. BRO has also erected unique and amusing road signs to encourage cautious driving. At the summit, we climbed the final few metres and enjoyed adding our prayer flags to the many already there.

Descending into the fabled Nubra Valley, meaning “valley of flowers,” was spellbinding. It is carved out by the Shyok River meeting the Siachen River to form a large valley separating the Ladakh and Karakoram mountain ranges. It’s an ideal place to relax and marvel at the expansive views and the night sky.

Here, we explored on foot – the Yarob Tso Lake, petroglyph sites, sand dunes, and the Panamik hot springs. We saw double-humped Bactrian camels and wandered through local rural villages.

Off the Beaten Track

Ladakh is ideal for anyone seeking an off-the-beaten-track experience with opportunities to enjoy nature, experience friendly cultural interactions, or find adventure. You’ll encounter a diverse mix of tourists – domestic and international, motorcyclists, trekkers, and backpackers. It’s not about luxury or slick service but about learning, connecting, and experiencing the rich tapestry of life in this extraordinary part of the world.

We can’t wait to go back and explore more!

Thank you to the GoVacation Team, Thinley, and Tanzen.

Inspiration

Film Review by Inderjeet Rathod

Shatranj Ke Khilari (The Chess Players)

Director: Satyajit Ray

Imagine if the decadence of pre-Revolutionary France in Marie Antoinette (2006, directed by Sofia Coppola) met the political intrigue of The Crown (the historical drama series on Netflix) and the reflective artistry of Akira Kurosawa’s Ran (1985). That’s what Satyajit Ray’s The Chess Players offers—a gripping tale set in 19th-century India, at a time of looming colonial domination and aristocratic decay.

The story unfolds in 1856, as British colonial forces prepare to annex the princely state of Awadh, now part of Uttar Pradesh, home to the famous Taj Mahal in Agra. At the centre of the narrative is Nawab Wajid Ali Shah, a ruler more interested in music, poetry, and dance than governance. The Nawab’s kingdom is slipping away as British forces advance, yet he is lost in his passion for the arts. Amjad Khan, best known as the villainous “Gabbar Singh” in the Bollywood masterpiece Sholay (1975), portrays Nawab Wajid Ali Shah, a ruler out of sync with his time, but deeply compelling in his vulnerability.

The second thread focuses on two aristocrats, Mirza Sajjad Ali and Mir Roshan Ali, played by Sanjeev Kumar and Saeed Jaffrey. Sanjeev Kumar, a legendary actor in Indian cinema, was known for his remarkable versatility, playing complex, multi-dimensional characters. Saeed Jaffrey, celebrated for his roles in both Indian and British cinema, is perhaps best known for A Passage to India (1984, directed by David Lean). Together, they bring to life two men so consumed by their game of chess that they retreat into it while the world collapses around them. Their obsession is both tragic and absurd, adding a layer of humour and emotional depth to the film.

The antagonist here is not a person, but the British East India Company, represented by the coldly calculating General Outram (played by Richard Attenborough, the director of the 1982 movie, Gandhi). His quiet manipulation is a stark contrast to the naivety of the Nawab and the aristocrats.

Satyajit Ray, a master of neorealism in Indian cinema, directs with precision and depth. The cinematography by Soumendu Roy, the man behind the lens in 22 of Ray’s films, including 18 features, beautifully captures the opulence of Awadh’s aristocracy. Detailed costumes, intricate set designs, and traditional Indian music immerse you in a world that is both deeply Indian and universally human, exploring themes of decline and resistance.

What truly sets The Chess Players apart is its tone. It combines sharp humour with biting social commentary. The absurdity of the two aristocrats’ obsession with chess evokes laughter, but it’s quickly tempered by the sting of their indifference to their crumbling world.

Even without knowledge of India’s colonial history, the themes in The Chess Players are universal. Just as Parasite (2019, directed by Bong Joon-Ho) used a Korean household to comment on global class struggles, The Chess Players uses the fall of Awadh to explore privilege, power, and apathy. It’s a film for anyone who loves cinema that challenges, moves, and provokes.

Whether you’re drawn to historical dramas, political intrigue, or exceptional storytelling, The Chess Players belongs on your watch-list.

Festival to Watch Out For

Holi

14 March, 2025

Understanding the whispers of nature’s language is to understand India itself, its art, history, culture, and literature. Take the spectacular “flame of the forest” or the Palash for example. It blooms during early March painting the landscape of India with a riot of red, vermillion, and bright orange. Rudyard Kipling associated the red dazzlers with turbulence in the jungle. In Kipling’s “Jungle Book”, little Mowgli says “laal phool jab khilenge, tab humein shikaar milega” (when the red flowers bloom, we will get our prey) alluding to the forest fires and the shortage of water in the jungle. The bard of Northeast India, Bhupen Hazarika called the Palash “a fiery flame of love that knows no boundaries of religion, caste or creed” which is symbolic of the spring season is associated with fertility across cultures in India. Indeed the blooming of the Palash is a powerful example of nature’s language. It is also associated with Holi—the boisterous festival of colours.

Nature’s language cradles all – irrespective of religion, caste, or class. Nobel laureate Rabindra Nath Tagore was quick to realise this. During the early part of the 20th century, he started organising festivals, including Holi at Vishva Bharati (meaning communion of the world), now a public university in the state of West Bengal. Tagore’s idea was to create secular and inclusive festivals that connected humans and nature in its purest form. Vishva Bharti’s Holi is still hailed as an epitome of the coming together of collective arts and rituals on a non-sectarian basis.

While Holi is always associated with Hindu ethos, it has also been an integral part of Muslim culture and literature. Historical texts and accounts of Mughal India talk about emperor Akbar and Jahangir playing Holi. Bahadur Shah Zafar, the last Mughal emperor made Holi the official festival of the Red Fort. He even patronised a new genre of poetry called Hori, which was sung on the day of Holi. But much before the Mughals, it was the Muslim Sufi poets who took the festive opportunity of Holi to advocate love that transcends all boundaries. Holi was celebrated by the 13th-century Sufi saint Nizamuddin Aulia. His disciple Amir Kushro composed many verses which are sung even today during Holi. One of the most stunning Sufi compositions on Holi was penned by 18th-century poet Shah Niaz. He wrote: “Hori hoye rahi hai Ahmad geo ke duwar/Hazrat Ali ke rang bano hai Hasan Husain khilar”(Holi is being played at the gate of Prophet Hazrat Mohammad, Ali has brought colours, Husain and Hasan are playing). But it is Kayem Chandpuri, another 18th-century Sufi poet, who takes the cake. In his poem “Chandpur ki Holi”, he talks about an inebriated Maulvi (an Islamic scholar) who has forgotten his way to the mosque. Holi is a festival where even the most hard-nosed is happy to drop the guard and have some fun.

Progressive societies are built on a fine combination of freedom, knowledge, and shared experiences on a secular, inclusive, and non-sectarian basis, just like nature’s language. Kayem Chandpuri says “Ilahihai jab takke ye shor o shar ho alam mien/ Holi seybaqiasar” (O Almighty let the festivities of Holi be there till the world does)

Holi Hai!!

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